Stephen Hicks

Kant’s 300th birthday, April 22, and some are celebrating while some are not

The man has an ambivalent legacy—those who claim him for the Enlightenment and for the Counter-Enlightenment. I’m in the latter group. On the Counter-Enlightenment turn: Kant’s epistemology (Ch. 2), his connections to modernist and postmodernist art, his views on education for duty and obedience, his mix of liberal and illiberal politics. By contrast: here is […]

Kant’s 300th birthday, April 22, and some are celebrating while some are not Read More »

Catharine MacKinnon on censoring porn [Philosophers, Explained series]

In making her influential case for limiting the First Amendment and censoring porn, Catharine MacKinnon uses a combination of egalitarian and postmodern arguments. Here is my guided tour of her Only Words (Harvard U.P.) One can also follow Professor Hicks on X (@SRCHicks). Related: The full series of Philosophers, Explained episodes:

Catharine MacKinnon on censoring porn [Philosophers, Explained series] Read More »

Kant versus racial interbreeding

According to Ernst Cassirer, Immanuel Kant was “the man who introduced anthropology as a branch of study in German universities.”[1] And anthropologist W. E. Mühlmann calls Kant “the founder of the modern concept of race.”[2] All humans are members of the same species, Kant argues, since members of the different races are capable of interbreeding.

Kant versus racial interbreeding Read More »

Nietzsche, according to Nazi ideologist Ernst Krieck

National Socialist ideologue Ernst Krieck had little patience for the claim that Friedrich Nietzsche’s philosophy was a forerunner of National Socialist politics. Frequently Nietzsche came up positively in Nazi speeches and writings. But Krieck scoffed: “All in all, Nietzsche was an opponent of socialism, an opponent of nationalism, and an opponent of racial thinking. Apart

Nietzsche, according to Nazi ideologist Ernst Krieck Read More »

Kant and modern art: quotations from artists and art critics

The poet John Enright‘s “Kant and Abstract Art” takes up Ayn Rand‘s claim in The Romantic Manifesto that “the father of modern art is Immanuel Kant (see his Critique of Judgment).” Rand does not elaborate, and Enright notes that some scoff at the claim. Rand’s claim is a strong one, in part because it makes

Kant and modern art: quotations from artists and art critics Read More »