Friedrich Nietzsche

Ryan Faulkner-Hogg (Sweden) podcast on Nietzsche, Art, BLM, and more

I was long-form interviewed by Ryan Faulkner-Hogg of Atlas Geographica on this range of topics:: Introduction: 00:00 Aesthetics: 03:04 Do You Practice Art? 08:33 Modern “analytic” art, Modern “pessimist/expressionist” art, & Postmodern “deconstructive” art 10:24 Duchamp’s urinal 32:25 Objectivism v. Subjectivism: 39:30 BLM (benevolent v. Trojan Horse versions) & Marxism: 52:57 Hicks’s Formative Years: 1:00:00 […]

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Is German philosophy really Counter-Enlightenment? Nietzsche’s assessment

My Explaining Postmodernism book is negative on the major developments in German philosophy, tracing a devolution from Kant through Hegel, Marx, Nietzsche, and Heidegger to the postmodernists. Lots of room in that story for nuances and exceptions, and I’ve received much criticism for being harsh on the German thinkers. I have two forthcoming Open College

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Friedrich Nietzsche in Explaining Postmodernism

Friedrich Nietzsche on why the rise of the philosophers meant the fall of man: Once reason took over, men “no longer possessed their former guides, their regulating, unconscious and infallible drives: they were reduced to thinking, inferring, reckoning, co-ordinating cause and effect, these unfortunate creatures; they were reduced to their ‘consciousness,’ their weakest and most

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Foucault as Nietzschean: on knowledge as injustice

Juxtaposing quotations from Michel Foucault (d. 1984) and Friedrich Nietzsche (d. 1900). First, here is Foucault: “All knowledge rests upon injustice; there is no right, not even in the act of knowing, to truth or a foundation for truth; and the instinct for knowledge is malicious (something murderous, opposed to the happiness of mankind).”[1] Friedrich

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*The Will to Power* — new translation by Hill and Scarpitti

Penguin has published a new translation by R. Kevin Hill and Michael Scarpitti of Friedrich Nietzsche’s The Will to Power. In the mid-1880s Nietzsche was extraordinarily productive making and reworking notes for an intended magnum opus. But he did not complete it and turned to publishing the final few short books of his career before

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