Philosophy

What is philosophy? | Philosophy for Real Life (1 of 22) | Stephen Hicks

Two-minute answers to key questions about philosophy, politics, art, and the meaning of life. Filmed in Buenos Aires, Argentina. The full series will be published at CEE Video Channel beginning October 2021. At some point in our lives, we each ask ourselves the big questions. How we respond has great impact on our lives. Some […]

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Tonight Reminder: *Is the USA a Capitalist Nation?* [Session 2 of “The Capitalism Course” with Professor Hicks]

October 27: Is the USA a “Capitalist” Nation? Two narratives govern our recent thinking, debating, and blame-gaming about the economy: (1) We’re a capitalist nation, and our troubles are the fault of capitalism, (2) We’re a mixed economy, and our troubles stem from the anti-capitalist elements of the mixture. How do we first sort out

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Art’s devolution from Modernist to Postmodernist

Part I of “From Modern to Postmodern Art and Beyond” focused on Modernism’s brutalism, reductionism, and conceptualism — and philosophy’s contributions from Marx, Nietzsche, and Freud. “By the beginning of the twentieth century, the nineteenth-century intellectual world’s sense of disquiet had become a full-blown anxiety. The artists responded, exploring in their works the implications of

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George Orwell, “Review of *The Totalitarian Enemy* by F. Borkenau” [Atlas Intellectuals]

This week on the Atlas University course on Socialism we feature the Executive Summary of George Orwell’s “Review of The Totalitarian Enemy by F. Borkenau.” Orwell was clear-eyed about the dangers of authoritarian socialisms in Germany and Russia. In this 1940 review of The Totalitarian Enemy by Franz Borkenau, Orwell weighs the socialist credentials of Adolf Hitler’s

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“From Modern to Postmodern Art and Beyond,” Part 1 by Stephen Hicks

This lecture was given in New York at the Foundation for the Advancement of Art’s conference. ‘For a long time critics of modern and postmodern art have relied on the “Isn’t that disgusting” strategy. By that I mean the strategy of pointing out that given works of art are ugly, trivial, or in bad taste,

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