A fascinating passage, reported by a young woman named Elizabeth Brentano,[1] who was a friend of Goethe and who met Beethoven in 1810. Here are Beethoven’s own words, according to Brentano: “When I open my eyes I must sigh, for what I see is contrary to my religion, and I must despise the world which […]
Beethoven on the metaphysics of music Read More »
The philosophical nature of art, as illustrated by Dmitri Shostakovich’s comments on the purpose of his music, from his autobiographical Testimony.
MUSIC and SENSE of LIFE: SHOSTAKOVICH’S MUNDANE CYNICISM Read More »
How did Beethoven become Beethoven? “The ‘personality’ of such a man as Beethoven is a slowly developed synthetic whole. It is formed by the gradual combination of its constituent elements into an organic unity. For the development of a personality a rich and profound inner life is necessary, and for that reason it is usually
Creative geniuses as selfish — Beethoven version Read More »
From Igor Stravinky’s Autobiography: “For me, as a creative musician, composition is a daily function that I feel compelled to discharge. I compose because I am made for that and cannot do otherwise. Just as any organ atrophies unless kept in a state of constant activity, so the faculty of composition becomes enfeebled and dulled
How great artists become great — Stravinsky and Tchaikovsky Read More »
… is by Sting. From his 1999 Brand New Day album. If you like, listen to the song while reading the lyrics below (YouTube version here). Then further below are the lyrics with my thematic-dramatic-arc notes added. “Fill Her Up” Mobil stationWhere I standThis old gas pumpIn my hand. The boss don’t like meA face
The best religious conservative song ever [reprise] Read More »
Some fascinating glimpses of Franz Liszt, the virtuoso pianist and composer. Biographer Alan Walker writes:
More on how great artists become great: Liszt Read More »
Reprising this post on a fascinating and oft-debated issue: Beethoven’s sense of life. To start — three sensitive commentators on the meaning of Beethoven’s music. * Hermann Hesse, the Nobel-Prize-winning novelist, in Steppenwolf, contrasting Mozart to Beethoven (and to Kleist, who committed suicide at age 34): “You have lent a deaf ear to those that
Beethoven’s romantic fatalism Read More »
Beethoven, according to biographer Maynard Solomon’s Beethoven: “Wegeler tells us that when a series of lectures on Kant was organized in Vienna in the 1790s, ‘Beethoven didn’t want to attend even once, even under my urging.’ Rather, Beethoven preferred self-education through voracious reading in popularizations of the works of the major thinkers; through rich encounters
How great artists become great Read More »