Art

Innovation in ballet — and market entrepreneurism

A striking pairing of quotations from Diaghilev’s Ballets Russes by Lynn Garafola (Oxford University Press, 1989). First, on the innovativeness: “In the History of twentieth-century ballet, no company has had so profound and far-reaching an influence as the Ballets Russes. It existed for only twenty years—from 1909 to 1929—but in those two decades it transformed […]

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Michael Newberry on the sublime in art

In this article, Newberry discusses Kant’s theory of the sublime and contrasts it to Aristotle’s and Rand’s aesthetic theories, along the way using modernists and postmodernists such as Duchamp, Manzoni, Hatoum, and Creed as examples, and then giving an extended review of Start Mark Feldman’s The Future in Our Hands sculpture group. Pandora’s Box: The

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Will the real Scrooge please stand up?

[Re-pinning for this season’s festivities.] We all know the tale of Ebenezer Scrooge. Or do we? Charles Dickens’s A Christmas Carol has generated an astonishing variety of interpretations, and as with most rich tales the interpretations often tell us as much about the interpreter as the original story. The legend of Robin Hood is a

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