Stephen Hicks

Stephen Hicks interview on Kant and Modern Art — transcript of the Norway interview

Immanuel Kant is arguably the most influential philosopher in the last two centuries. But how could the strict Kant have anything to do with the often-nihilistic modernist and postmodernist art worlds? In this interview conducted by artist and art critic Jan-Ove Tuv, philosopher Stephen Hicks discuss Kant’s general philosophy and his philosophy of art. Transcription

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Chekhov’s artistic choices (and the artist as a god)

Anton Chekhov is a great writer, in large part because he follows ruthlessly a principle of selectivity named after him: “Chekhov’s gun” is principle of writing that says that every element in a narrative must be essential and irreplaceable, and anything that is neither must be eliminated. But I don’t like reading Chekhov. I read

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Wynand’s power strategy [80th anniversary of *The Fountainhead* series]

The character Gail Wynand pursues a use-and-be-used career strategy. Wynand uses strong-arm tactics when necessary in building up his newspaper’s market; he manipulates his employees with money to break their integrity; he fires those (like Dominique) who refuse to bend; and he lets the lowest-common-denominator of public taste dictate the content of the newspaper he

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W. K. Clifford on philosophical writing style

Reprising this classic from the Department of Collegial Zingers: here is W. K. Clifford on an intellectual acquaintance: “He is writing a book on metaphysics, and is really cut out for it; the clearness with which he thinks he understands things and his total inability to express what little he knows will make his fortune

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Open Objectivism or Closed? Philosophy as *discovered* facts, not *created* fiction

Ayn Rand was a philosopher and an artist, and she carefully distinguished the status of works that are discoveries from those that are creations: “A scientific or philosophical discovery, which identifies a law of nature, a principle or a fact of reality not previously known, cannot be the exclusive property of the discoverer because (a)

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