Stephen Hicks

Wynand’s power strategy [80th anniversary of *The Fountainhead* series]

The character Gail Wynand pursues a use-and-be-used career strategy. Wynand uses strong-arm tactics when necessary in building up his newspaper’s market; he manipulates his employees with money to break their integrity; he fires those (like Dominique) who refuse to bend; and he lets the lowest-common-denominator of public taste dictate the content of the newspaper he

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W. K. Clifford on philosophical writing style

Reprising this classic from the Department of Collegial Zingers: here is W. K. Clifford on an intellectual acquaintance: “He is writing a book on metaphysics, and is really cut out for it; the clearness with which he thinks he understands things and his total inability to express what little he knows will make his fortune

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Open Objectivism or Closed? Philosophy as *discovered* facts, not *created* fiction

Ayn Rand was a philosopher and an artist, and she carefully distinguished the status of works that are discoveries from those that are creations: “A scientific or philosophical discovery, which identifies a law of nature, a principle or a fact of reality not previously known, cannot be the exclusive property of the discoverer because (a)

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Haruki Murakami on standard education and Russian novelists

Reprising this post from reading Murakami’s Hard-Boiled Wonderland and the End of the World. A character comments: “Everyone must have one thing that they can excel at. It’s just a matter of drawing it out, isn’t it? But school doesn’t know how to draw it out. It crushes the gift. It’s no wonder most people

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