An instructive series of quotations, collected over the years, on the theme of pessimism about the present in relation to the past:
Plato, 360 BCE: “In that country [Egypt] arithmetical games have been invented for the use of mere children, which they learn as pleasure and amusement. I have late in life heard with amazement of our ignorance in these matters [science in general]; to me we appear to be more like pigs than men, and I am quite ashamed, not only of myself, but of all Greeks.” (Laws, Book VII)
Catullus, c. 60 BCE: “Oh, this age! How tasteless and ill-bred it is!”
Horace, c. 23-13 BCE: “Our fathers, viler than our grandfathers, begot us who are viler still, and we shall bring forth a progeny more degenerate still.” (Odes 3:6)
Alberti, 1436: Nature is no longer producing great intellects — “or giants which in her youthful and more glorious days she had produced so marvelously and abundantly.” (On Painting)
Peter Paul Rubens, c. 1620: “For what else can our degenerate race do in this age of error. Our lowly disposition keeps us close to the ground, and we have declined from that heroic genius and judgment of the ancients.”
Mary Wollstonecraft, c. 1790: “As from the respect paid to property flow, as from a poisoned fountain, most of the evils and vices which render this world such a dreary scene to the contemplative mind.”
William Wordsworth, 1802:
“Milton! thou should’st be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
Oh! raise us up, return to us again;
And give us manners, virtue, freedom, power.”
(”London”)
John Stuart Mill, in 1859, speaking of his generation: “the present low state of the human mind.” (On Liberty, Chapter 3)
Frederick Taylor, 1911: “We can see our forests vanishing, our water-powers going to waste, our soil being carried by floods into the sea; and the end of our coal and our iron is in sight.” (Scientific Management)
T. S. Eliot, c. 1925: “We can assert with some confidence that our own period is one of decline; that the standards of culture are lower than they were fifty years ago; and that the evidences of this decline are visible in every department of human activity.”
So has the world really been in constant decline? Or perhaps, as Gibbon put it in The Decline and Fall of the Roman Empire (1776): “There exists in human nature a strong propensity to depreciate the advantages, and to magnify the evils, of the present times.”
Words to keep in mind as we try to assess objectively our own generation’s serious problems.
Here is an example of a phenomenon that has long puzzled me: Nasty in-group fighting. In The Rise of Neo-Kantianism, Klaus Christian Köhnke asks:
What can “explain one of the most distressing features of the neo-Kantians: the fierceness and bitterness of their polemics, the nastiness of their ad hominem arguments, which destroyed personal friendships and decent collegial relations? Heinrich Rickert (Heidelberg) wrote to Paul Natorp (Marburg): ‘Just because we critical idealists agree on fundamentals, we have to take the knives to each other” (Cambridge University Press 1991, p. x).
It’s easier to understand demonizing the far opposition, i.e., those whose beliefs and values are alien to your own. But it’s harder to understand demonizing those with whom you agree on 99% of key issues. Why does the 1% disagreement drives some to paroxysms of anger, bitter infighting, and denunciation?
The infighting dynamic crops up in a variety of types of movements across history — political movements (e.g., the Marxists), educational movements (e.g., the Montessorians), architectural (e.g., Frank Lloyd Wright’s followers), philosophical (e.g., Objectivists), semi-scientific (e.g., Freudians), and of course most religious movements.
Heinrich Rickert above stated it as an imperative: The closer the agreement, the worse the fighting. Why is that so?
* Is it that we expect or hope for more from those close to us, so disagreements are more crushingly disappointing?
* Is it that those close to us have more power to hurt us, so disagreements lead to defensive over-reactions?
* Is it that movements are social, so disagreements are opportunities for in-group status advancement or for signaling one’s status and alliances?
I can understand the phenomenon more easily within systems that have strong faith-and-authority epistemological traditions. Such groups do not make reasoning and healthy argument habitual, so it makes sense that their members would not be able to handle questioning and disagreement well.
But that makes more puzzling the in-fighting among rational belief systems, i.e., those that explicitly identify and urge productive argument and discovery skills. In those groups, is the descent to nastiness simply a failure of character? Or are there strong psychological and social-psychological dispositions that even rational belief systems have a hard time overcoming? Or is the initial impression great amounts of infighting distorted — that actually most of the group’s members handle the disagreements productively and in proportion, while only a few noisy participants drown them out and drag down the discussion?
A related question about leadership: Does a movement’s leader typically contribute to the in-fighting problem, or do the followers do it all by and to themselves?
One datum: In discussing Freud’s fractious movement, Howard Gardner tells this sad anecdote:
“Less happily, their involvements with Freud proved costly for some individuals, particularly those who had broken with him. Freud’s young protege Victor Tausk, despondent over his recent rupture with the unforgiving Freud, committed suicide; of the earlier followers, at least six others ultimately did the same. These facts represent our first evidence of the casualties that tend to befall those within the orbit of highly creative individuals” (Creating Minds, p. 82).
But I was struck by this contrasting datum about Frank Lloyd Wright’s circle, as recalled by Ayn Rand after a visit:
“She long remembered her indignation over the attitude of hero worship and servitude that Wright was famous for instilling in his ‘Fellowship,’ made up of tuition-paying students. They cooked, served meals, and cleaned. They ate at tables set a step or two below the dais on which Wright and his guests and family dined, and they consumed a plainer diet. Their drawings, she noted, were undistinguished and imitative of Wright. ‘What was tragic was that he didn’t want any of that,’ Rand told a friend in 1961. ‘He was trying to get intellectual independence [out of] them during the general discussions, but he didn’t get anything except ‘Yes, sir’ or ‘No, sir’ and recitals of formulas from his writing.’ She compared them to medieval serfs.” (Anne Heller, Ayn Rand and the World She Made, pp. 169-170). And of course some of Rand’s followers have behaved that way too.
Nietzsche said that one must always forgive an intellectual his first generation of followers. It seems a sorry truth of history that those who grow up directly in the shadow of a genius have special difficulties with becoming independent.
So it is still a puzzle in my mind. Great matters demand great thinking and great passion — and great character in the exercise of both.
About justifiable, virtuous anger, Aristotle stated the ideal best — to be able to “feel anger on the right grounds and against the right persons, and also in the right manner and at the right moment and for the right length of time” (Nicomachean Ethics 4.5, 1125b 31). That is indeed the challenge.
Posted 4 days, 16 hours ago at 8:44 pm. 3 comments
My review essay on Donald Frey’s America’s Economic Moralists: A History of Rival Ethics and Economics (SUNY Press, 2009) is now out in Business Ethics Quarterly. Subscribers to BEQ can access the issue here.
The copyright agreement allows me to distribute a limited number of copies personally, so if you’d like a PDF of the review, email me at CEE [at] Rockford [dot] edu.
My conclusion: “America’s Economic Moralists is a good historical survey of mostly religious commentaries on economics. Frey’s work is in part a historical survey and in part a polemic against the autonomy individualists. In my judgment, Frey does a good job covering the important distinction between autonomy and relational economic moralities and many of the sub-debates therein. But there are more historically and philosophically significant themes that could also have been developed more fully, and Frey’s eagerness to advance the relational view and to slight the autonomy view sometimes gets the better of his skills as historian and philosopher.”
Cite: Hicks, Stephen R. C. 2012. “Review of Donald Frey’s America’s Economic Moralists: A History of Rival Ethics and Economics.” Business Ethics Quarterly 22.1, 186-193.
In my Philosophy of Art course, we are discussing Plato’s philosophy of art, by means of selections from Statesman and Books 3 and 10 of The Republic, along with snippets from Ion, Phaedrus, and Symposium.
In The Republic, Plato makes a systematic case for censoring all arts. The task of the Platonic philosopher is to take up the “ancient quarrel between philosophy and poetry” [607b] and to assert the State-enforced dominance of philosophy. To that end, The Republic as a whole is a powerful integration of philosophy, religion, education, and politics, and its argument for the political suppression of most art follows from that integrated system.
Rhetorically, Plato uses Socrates’ discussion with Glaucon and Adeimantus to list a series of grievances against poetry, music, and painting:
* A good portrait of the gods and heroes will show them as worthy and exalted beings — but poets such as Homer and Hesiod often tell tales of the gods and heroes fighting and bickering and acting immorally [e.g., 390b-391e].
* A moral citizen’s soul will be composed and dignified — but many musical modes stir us up inside and make us jangled and unsettled [398e-400d.].
* Good people and gods do not deceive — but painters constantly deceive us by trying to make their fake imitations look real [598c, 602d]. (Meanwhile, Plato allows that politicians (and only politicians) ought to be allowed to lie to their citizens [389b-c].)
* A strong and moral man will not grieve the death of a friend by moaning and wailing like a woman — but poets regularly have their characters issue long, pathetic lamentations [387d-388d].
* Courageous men are willing to die in battle — but the poets tell scary stories about the afterlife and make us fear death [386b-d].
* A proper moral of the story will teach that good people meet good ends and bad men meet bad ends [613d-614a] — but tragic poets have will often have bad men profit and protagonists fail and suffer despite their virtues [392b].
* Decent people respect and strive for worthiness — but comic poets appeal to our basest desires and mock and deride everything [e.g., 395d-e, 606c].
And so on.
The Republic’s overall argument for censorship thus combines a particular conception of morality with religion and authoritarian politics. Formalizing the argument:
1. To have a good society, we must have good citizens.
2. To have good citizens, children must be well educated. 3. To be well educated, children must be exposed to good material and shielded from bad material [386a].
4. So, to have a good society, children must be exposed to good material and shielded from bad material.
5. It is the obligation of the State to educate its citizens.
6. So the State should allow only good material and suppress bad material.
7. The State’s censorship applies also to art.
8. So the State should allow only good art and suppress bad art [401b, 595a].
[Next: Evaluating Plato's argument for censoring the arts. Return to the Intellectual History page.]
In this extended interview, philosopher Douglas B. Rasmussen responds to a series of questions (listed below) about his life and work.
Dr. Rasmussen is a professor of philosophy at St. John’s University in New York. In addition to the books discussed in the interview, he is the author of articles in American Philosophical Quarterly, The Review of Metaphysics, International Philosophical Quarterly, and many scholarly anthologies.
Why did you become a philosopher? [00:18]
Where did you go to college? [1:02]
Why does liberal society need a philosophical basis? [1:17 ]
You present those themes in some detail in your books Liberty and Nature, Liberalism Defended, and Norms of Liberty. What is your argument for liberty? [2:44] Previous question continued [00:09]
Which historical philosophers have you learned most from? [6:08]
How do those issues of metaphysics connect to liberalism? [8:15]
Which major historical philosophers do you most disagree with? [11:28] What is the hardest philosophical problem you are working on now? [00:08]
What is the most challenging criticism of your views? [2:43]
What is the state of liberal thought today among philosophers? [4:36]
To bring about a more liberal society, what key practical steps can and should be taken? [6:30]
Coming Soon:Profiles in Liberty interview with economist David R. Henderson.
The rationale for the session: Three giants of twentieth-century thought — but few comparative studies have been done. The following panelists will discuss rights-related issues in the thought of Ludwig von Mises, Friedrich Hayek, and Ayn Rand.
Richard Ebeling, Department of Economics, Northwood University
Title: Mises on Rights and Principles
Eric Mack, Department of Philosophy, Tulane University
Title: Desert and Entitlement in Atlas Shrugged
Michelle Vachris, Department of Economics, Christopher Newport University
Title: Atlas Shrugged down The Road to Serfdom: Rand and Hayek on Rights
Stephen Hicks, Department of Philosophy, Rockford College
Title: Economic facts and values in Mises, Hayek, and Rand
Chan Luu’s designs have been worn by many celebrities, including Jennifer Lopez, Lady Gaga, Kate Hudson, Reese Witherspoon, Sandra Bullock, Janet Jackson, and Jennifer Aniston. Much of the interview was published last month in Kaizen. I met with Luu in Los Angeles to discuss growing up in Vietnam, the relevance of business education to entrepreneurial success, and the complexities of doing business in the fast-changing world of celebrities and fashion.