Competing epistemological imperatives in the arts

Art critic Eric Gibson pronounces: “Objectivity is a cardinal rule in the discipline of art history. Mr. [Paul] Johnson’s book, by contrast, abounds in strong opinions.” (“Bold Strokes, Strong Opinions,” WSJ) But literary critic Tracy Kidder sneers: “As every graduate student knows, only a fool would try to think or bear witness to events objectively […]

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