An Artist’s View: Michael Newberry on Key Works of Art in History Michael Newberry is a California-based artist who has exhibited across Europe and North America. He is the author of books on color theory, philosophy of art, modernism and postmodernism in art, and art history. We invited him into our studio for this series […]
“Aphrodite* by Praxiteles, c. 350 BCE [Newberry on Great Art series] Read More »
An Artist’s View: Michael Newberry on Key Works of Art in History Michael Newberry is a California-based artist who has exhibited across Europe and North America. He is the author of books on color theory, philosophy of art, modernism and postmodernism in art, and art history. We invited him into our studio for this series
“Geometric Warrior,” 8th century BCE [Newberry on Great Art series] Read More »
In Melbourne, I met Peter Schipperheyn, creator of the magnificent Thus Spake Zarathustra. The monumental piece is at the McClelland Sculpture Park near Mornington. The tension running through Zarathustra’s bowed body as he reaches and affirms his decision is powerful. Schipperheyn decided on its name in part from reading Nietzsche’s Ecce Homo (“Why I am
Peter Schipperheyn’s *Zarathustra* sculpture Read More »
Stuart Mark Feldman’s The Future in Our Hands By Michael Newberry Stuart Mark Feldman’s sculpture group, The Future in Our Hands (1992, Reservoir Park, Harrisburg, Pennsylvania) is four life-size bronze statues placed around a large outdoor fountain. There are two males and two females, life-sized, each playing with a child. (To my knowledge, this is the
Newberry reviews Feldman sculpture *The Future in Our Hands* Read More »
In this article, Newberry discusses Kant’s theory of the sublime and contrasts it to Aristotle’s and Rand’s aesthetic theories, along the way using modernists and postmodernists such as Duchamp, Manzoni, Hatoum, and Creed as examples, and then giving an extended review of Start Mark Feldman’s The Future in Our Hands sculpture group. Pandora’s Box: The
Michael Newberry on the sublime in art Read More »
Tony Martelli’s The Sleepwalker has generated a large number of protests about its patriarchal nature. Journalists at Slate and The Wall Street Journal have more coverage. Students at Wellesley College have complained about how the statue triggers in them fears of sexual assault, white privilege, male privilege, oppression, and other very bad things. Feminism should
Wellesley sculpture protests are not feminist Read More »
“Lo que la Ética Empresarial Puede Aprender del Emprendimiento.” The Spanish translation of my essay is by Walter Jerusalinsky and published online at Idóneos e-magazine. The essay was first published in English as “What Business Ethics Can Learn from Entrepreneurship” [pdf] in the Journal of Private Enterprise. It’s also available at the Social Science Research
Spanish translation of “What Business Ethics Can Learn from Entrepreneurship” Read More »
Following up on a series of posts about Michelangelo, Beethoven, and Liszt. From Frederic V. Grunfeld’s very good Rodin: A Biography, the answer in the case of August Rodin is education and self education. Rodin was born into a French culture in which the large majority of the population was illiterate or semi-literate. The fact
Yet more on how great artists become great: Rodin Read More »